Smoldering Wick, Part 2: the Photo Shoot

Smoldering Wick, Part 2: the Photo Shoot

In a previous post, I shared before how when I was going through a difficult time, God encouraged me with a verse in Isaiah 42 that inspired the painting “Smoldering Wick.” I sketched out the idea, and then the sketch sat around for a few years before I got the chance to actually paint it.   There were many distractions–a part time job, painting commissions, and my own procrastination. I wanted the painting to be just right. Waiting for the ideal circumstances, I delayed starting the project. But finally, one day I realized unless I actually just took some steps to start the painting, it would never happen. So I asked my brother-in-law, Zach, to come over to my house for a photo shoot. Why a photo shoot? It’s not like I run a model agency! Here’s why… When you are trying to do a realistic painting, you can’t just “invent” the realism. At least I can’t. Maybe some can. But I think history bears out that the best realistic paintings of all time–like Rembrandt’s “Night Watch” or Caravaggio’s “Conversion of St. Paul” were painted using real-life models posed specifically for the artists to paint from. In other words, they didn’t just paint from memory. They used a reference. I am not comparing myself to either Rembrandt or Caravaggio, by the way. But their work inspires me. One day then, Zach came over to my house, which I transformed into something like a theater stage or movie set. Well, one room at least. My wife gave me permission to do that for a few hours, as long as I...
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