How I Fixed a Stabbed Painting

How I Fixed a Stabbed Painting

What do you do when your son stabs your painting with a spoon?

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This is the question I had to answer when a customer asked me if I could fix this painting.

It was a special painting in his family, a collectible, and his then 2-year old son got a little excited one day with the silverware, adding a new dimension to the surface of the picture.

“I haven’t done anything like this before, ” I more or less told the customer when he asked if this kind of repair was possible. “But let’s give it a try.”

And so I laid the canvas out on a table and assessed the damage. There were several punctures in the canvas, so it wasn’t going to be easy.

I researched on how to repair paintings, and many websites suggested using a patch, but that it might be possible to see it from the other side, so you have to be careful with a repair like that.

What do you use for a patch?

I had some canvas lying around, so I figured it would be good to use the same material.

And then just to make sure it didn’t leave an impression on the other side years later, I cut the fabric to match the shape of the painting’s contours–in this case fruit in the still life.

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I applied gloss medium (clear acrylic without pigment that also can be used as an adhesive) to the patch and praying a quick prayer, weighted it down. This step is critical. If I misaligned the patch or caused the holes in the canvas to buckle, after the adhesive dries, the damage would be permanent.

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30 minutes later I took the weight off and inspected the other side. How did it look? Excellent. The tears were lined up almost perfectly.

But this is where the real work began. I had to fill the cracks in. The tears still left very noticeable crevices in the surface of the canvas. It had to be filled in.

So I thought, let’s use some acrylic medium and fill in the holes like wall spackling. It does work, I discovered, but it takes several layers to do the job. I applied each layer with a brush and then began to scrape over it with a flat-edged blade.

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Eventually, the surface was flat. I used a piece of shop towel to stipple the last layer–helping it to match the texture of the canvas, which is slightly putted.

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Fantastic.

Now, with the surface matching perfectly it was just a matter of matching the color of the painting to fill in the little lines and cracks left by the tear.

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Matching each color up by eye, I filled the areas in. I also tried to match the sheen by mixing matte (flat) and gloss medium together and cover over the top.

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When I was all done it was really hard to tell that anything even happened to the painting. I had trouble even seeing some of my repaired areas. I gave it to the client and he was amazed too. I thank God. It was a profitable project for me and it really blessed the customer to have their painting back and be able to hang it up on the wall.

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I don’t know. Maybe they’ll hang it a little bit higher this time. 🙂


Thanks for reading and have a blessed day,

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4 Comments

  1. You are amazing, Matt. And, another level of depth learned that I’m sure will be in demand again in the future.

    Reply
  2. Wow! Matt, you did a fantastic job! It takes some courage to restore a painting with so much damage done to it and you managed to rescue the family heirloom. You really brought it back to its former glory – and discovered a new skill in the process. Excellent work!

    Reply
    • Thank you, Jutta. I always like taking on something new!

      Reply

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