Portrait Painting I Did While Camping at the Yurt

Portrait Painting I Did While Camping at the Yurt

Is it possible to do portrait painting while you’re away from your home, your usual studio area?

This was something I’ve always wanted to do: create art while camping. And for all the years I’ve gone camping, I’ve never been able to successfully do it.

But finally, at the end of June, my brother and I decided to go camping at a rustic yurt up in Cable, WI. Where is that? Let’s just say, it’s “way up north.” 🙂 And what is a yurt? It’s a round tent-like house, a permanent structure made of lattice wood, bound together with steel cable, and covered with fabric. We rented it through Airbnb for two days.

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Acrylic portrait artist Matt Philleo ready to paint at a yurt in Cable, Wisconsin

We parked at the bottom of the hill and carried our gear up about a mile. We realized how out of shape we were! I also had my painting supplies: easel, palette, and brushes with me. In the middle of hiking and cooking, we decided to both do a little work: my brother wrote (he’s an author) and I painted.

I know. You’re probably thinking I should have painted the scenery up there, and yes, it was beautiful. But I had a commissioned portrait from a photo to get done: a painting of a veteran that served in the gulf war. And I love painting people, so it hardly seemed like work.

After bacon, eggs, and oatmeal for breakfast, it was time for painting.

Here is a video showing the beginning part of the process. In this video, I am basically blocking in the values with just raw umber dark and ultramarine blue. Of course, it’s all thinned out and made translucent with matte medium.

And then, here’s the next video in the process. Here I’m adding some color with burnt sienna, alizarine crimson and a few other colors. We’re starting to build up some skin tones. Also working on the flannel shirt. It takes a lot of layers to get it dark enough to look realistic!

After lunch, we hiked, and then came back and did more work: refining the shadows and making sure the likeness is accurate.

Sometimes your sketch just won’t cut it. It will get you about 80% of the way there, and you do the remaining 20% with paint. As you apply the paint, you can change the shape of the nose, the distance between the eyelids, lengthen the smile, etc., to adjust whatever might have been off during your sketch.

Of course, there is more to go on this painting. I’ll share the rest with you soon.

UPDATE: Here is the final video of this portrait, painted at my regular studio…

And a photo of it…

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Custom realistic acrylic portrait of a veteran and his wife painted by Eau Claire area portrait artist Matt Philleo, 11 x 14, acrylic on canvas, ©2019 by Matt Philleo

I really enjoyed painting this for the client, putting all the elements–the map of Iraq, the capitol building, and the people together into one cohesive portrait that I hope will be a cherished keepsake for the family for years to come.

I wasn’t able to finish it at the yurt, but I put in several hours. So, not only did I get to spend some great quality time with my brother, but I got to do some enjoyable work as well. After the big move, I finally feel like I’m getting into a regular groove of painting and posting tutorials. Thanks so much for your patience.

I hope this painting has encouraged you. If you would like your own memory captured uniquely with a custom portrait, just let me know. Call me at 715-864-9323, or email: matt@mattphilleo.com

All the best,

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P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!

 

More Progress on the 48″ x 72″ Portrait

More Progress on the 48″ x 72″ Portrait

 

Slow and steady wins the race.

Little by little, I’ve been chipping away at this 48″ x 72″ acrylic portrait painting that takes up almost half of my studio. I want to show you the progress on it. Here is where it was at a couple weeks ago.

 

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In Progress acrylic on canvas portrait from a photo by artist Matt Philleo

 

Here is a video I did showing the process…

 

Lately, I’ve been adding a lot of detail to the people, layer after layer, using the glazing technique. That allows light to pass through the translucent layers of color, giving the painting more richness, depth and luminosity.

I’ve got a lot work to do, but I’m happy with where it is at right now!

 

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In Progress Realistic Acrylic on Canvas Commissioned Portrait, 48 x 72 by Matt Philleo

 

Just wanted to share this with you and keep in touch on the progress! Have a blessed day as always!

 

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If you have any comments or questions about what I wrote, please leave me your feedback below! I will personally get back to you. Can you help me spread the word? Please share this post with your family and friends by using the social media links on the side or below. Thank you!
New Children’s Book Illustration Project–Chapter 1

New Children’s Book Illustration Project–Chapter 1

I am doing more illustration work for author Karen Meyer. She’s writing a new children’s book about two boys, a ranch, some horses and a lot of adventure, titled The Young Man From India.

This is the third book I am illustrating for her, and there is a fourth! She and her husband are wonderful people. My family and I personally met them and stayed at their house for a couple days, during Spring Break.

Here is the illustration for Chapter 1, along with the actual story I’m endeavoring to bring alive. It’s a pencil on paper illustration, 5.5″ x 7.”

Chapter One – It’s a Boy!

Spencer ran into the house. “Mom! Mom! Where are You?”

“You must be very excited. You just ran right past me. What is it, Spencer?”

“Mom, it’s a boy!”

“Oh, did Connie have her baby? A little boy. You’ll have to teach him how to ride and to love horses as much as you do.”

“No, mom. An older boy, like me, moved onto the ranch next to ours. I saw the truck and the horse trailer.”

“How do you know from such a distance that it’s a boy and not a girl that moved in?”

“Mom, really. I saw him ride. No girl could ride the way he did. He must be like me because he couldn’t wait to take his horse out onto the ranch. He might have a sister. Or his mother is a very short woman.”

“I think you’re looking at things from too far away.

Why don’t you take Red and ride over. Introduce yourself. Ask if they want to come for dinner. There’s so much to do when moving in – they might appreciate a meal they don’t have to think about.”

“That’s a great idea. I can’t wait to meet him. I wonder if he’s in my grade.”

“You’ll soon know . . . and don’t forget to be polite to his parents. And don’t jump the fence with Red. Remember your dad said Red’s knee isn’t the same anymore since that day he fell with you. Take time to open the gate before galloping away.”

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A faint okay was all his mom could hear as Spencer was already riding away.

I finally have a friend close by. This has been my wish for a long time and now it’s happened. I hope he’s in my grade and that he’s as excited to meet me as I am to meet him. It will be so much fun to ride over the ranch with another person. I miss riding with dad now that he has become an auctioneer in town. We seldom ride together anymore.

Spencer’s house was close to the border of the next ranch. Their house was on the hill but their neighbor’s house was a little closer to the road. At the neighbor’s place there were two tall poles with a hanging sign at the road that read, “The Thorton Ranch.” Spencer remembered when Mr. Thorton carved that sign and hung it.

Mr. Thorton was fun at one time to be around, but he got old. He had trouble walking and went everywhere on his horse after that. He stopped joking. That was the saddest part. He sold his cattle and moved away.

Spencer missed him – at least the way Mr. Thorton had been at one time. He had shown Spencer how to carve letters in wood. And stain them so they would show up. That was when he hung the sign at the road letting everyone know it was the Thorton ranch.

He had also been very funny. Spencer found himself laughing nearly every time he was with Mr. Thorton. He liked his sense of humor. Spencer tried to retell some of the jokes to his parents, but he realized there were always parts missing which he couldn’t remember. Spencer guessed that was why his parents never laughed at them.

Spencer’s parents were more serious. They were both on the same wave length. His parents were fun to be with, but it wasn’t because of the things they said – it was more they things they did with him. Spencer felt loved and enjoyed all the activities he did with his parents, but they never really made him laugh. At least, not the way Mr. Thorton did.

Mr. Thorton was not the same man as he got older. He complained about aches and pains and about the surgery on his foot, saying this foot never felt right in his cowboy boot anymore. Spencer felt sorry for his rancher friend and tried to cheer him with some of his own jokes to brighten his day, but Mr. Thorton’s laugh never seemed sincere.

End of Chapter 1


Hope you’ve enjoyed this story and illustration so far. Next time, I’ll post Chapter 2 and the illustration I did, and keep this going…

Have a blessed day,

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P.S. To see more of Karen’s books, you can visit her website here…

www.KarenMeyerauthor.com

 

 

Share Your Thoughts!

If you have any comments or questions about what I wrote, please leave me your feedback below! I will personally get back to you. Can you help me spread the word? Please share this post with your family and friends by using the social media links on the side or below. Thank you!

 

My New Old Art Studio

My New Old Art Studio

Moving back into your old studio is like seeing a long lost friend after a hiatus. At the end of January, I moved out of Artisan Forge Studios, convinced it was God’s will for me to leave.

 

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It wasn’t easy. It was hard to move out of the place where I created art for two years, met some amazing people, and started teaching art classes, both in person and online.

Like any move, you pack up the things you don’t need as much, and then keep the things you do, so you can keep living and working. My paints, brushes, and palette were the last things to go.

 

Setting Up Again

Then there was the process of setting up again in my house–in my vacant upstairs room. Well, almost vacant. We had a few things stored there. Some bins of clothing and other odds and ends. Those got moved into the basement. And that made room for the plethora of items from my studio.

I had seven large plastic strong boxes, and three or four cardboard boxes filled with art supplies, canvases, drawing paper, paints, books, and…stuff. Because the room is pretty small, it made going through it challenging. Everything needed to have a home.

 

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I have to admit, when everything was in disarray, and things were taking longer than I had hoped to set up—I wanted to give up more than a few times.

Why did you move out of Artisan Forge? This is crazy!

But I kept telling myself, “I followed God’s will for me, and this will all work out.” I prayed for God to help me keep my head straight.

But I still had a lot of stuff–and not a lot of storage space.

What to do?

More shelving! I noticed that I had a lot of wasted vertical space in my stairwell. From the bottom of the stairs to the top of the ceiling, there was about 12′ of space. I thought, wouldn’t it be nice to get some shelves in there?

But how would I access them? A ladder? No, that would be too risky, trying to reach and brings things down. I needed a platform.

So, I went off to Menards, bought some lumber and built a platform. One side of the stairwell already had a ledge that could support weight. So I built one on the other side to match–fastened with some very long, beefy screws.

 

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When not in use, the platform can lean against the wall, held by the rail and hooks.

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And then, it can lay down flat when I need something from the shelf.

Problem solved!

 

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Of course, my kids realized we now had a new floor in our house, so they had to get in on the action and check it out. (I tested it first!)

 

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The next step was to put in the shelves.

 

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And of course, fill them up with stuff.

 

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Home (Studio) Improvement

I made a couple improvements from the last time I was working in this room. Originally, the room had no door. The doorway is only 24″ wide, so not too many doors can fit a space like that. But I need to make sure the room is assoundproof as possible, so when I record an online class, there’s not any sounds of children yelling or the blender grinding, or whatever else goes on in a house.

It doesn’t hurt to cut down on energy costs while trying to heat up the room either.

Here is the door I quickly built from plywood and backed with styrofoam insulation.

The outside…

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And the inside. I have yet to paint it.

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That can wait.

 

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Lighting it Up

My budget for supplies has increased since last time as the Lord has blessed my business, so I bought some extra clamp lamps that I attached to the heavy welded lamp structure built by Dean Glenzer, an metal sculpturist from Artisan Forge Studios. And then I filled the sockets with 100 watt equivalent LED bulbs–nine of them.

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It’s almost as bright as a football stadium when they’re all lit up! Which is just how I like it. You can’t paint any better than what you can see. We artists need good lighting to produce good art.

Getting it Together

After getting my lights up, my drafting table, paint cart and easel back in place, I decided to move my computer from the downstairs floor to the upstairs. That way, I can record an online course, edit the video, and upload it all from the same area. Which in theory, should save me a lot of time.

I can’t tell you how many times I recorded a video at my studio (back in Artisan Forge) and then wanted to edit it later in the evening on my computer at home–only to find out I left my memory card at the studio!

Just another trip, that’s all.

But no more.

So I moved my computer up. That wasn’t so hard. Next, I called the cable guy to come out and hook up a new jack for internet service. But it wouldn’t be that easy. He said that that it would cost a lot more than what was quoted over the phone to fish a cable through two floors from the basement.

 

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“How about if I just bought some RG-6 cable and ran it from the downstairs to the upstairs? Would it work?”

“It would work,” he said. “But if we came out to your house for anything, we didn’t do it.”

So, that’s what I did. I could have gone out to Best Buy or Walmart to get the cable, but I felt like visiting an old friend.

Indianhead Electronics Supply in Eau Claire is a quaint little store that sells television parts and cables from a time before I was born. It’s like going into a historical museum: transistors, cathode ray tube pieces, antennas, bulbs, and all kinds of crazy things adorned the peg-board shelves.

 

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I first met the owner, a nice older lady by the name of Judith, a few years ago when I needed to buy an old part for an antenna, so I could get free digital TV. At the time, some people were trying to steal the business away from her, and I prayed with her. She kept the business, and we stayed in touch.

I lumbered down the old stairs. Her dog greeted me racously, and we caught up.

“Do you have some RG-6 cable?” I asked.

“In the back,” she said. She got out this ancient cast iron machine that looked like a sausage grinder meets garden hose reel, and started spooling cable.

I thought I would just walk in and buy a 25′ foot cable, in a nice package. You know, like you do at Best Buy. But no.

She wound up the cable, cut it, and then gave me some metal connectors for the ends.

“I’ve never spliced coax cable before,” I said.

“Oh, it’s easy. You just cut it and crimp the ends on. Use your mystery machine and it will show you how.”

Mystery machine?

“I don’t use a cellphone or anything like that,” she added.

I shrugged. “Well, I can look up how to do it on YouTube, I guess.”

Is there anything you can’t learn how to do on YouTube? (Pretty soon, we’ll be able to say that about D-Tube and D-Live)

 

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Would it work? I hooked one end up to the cable downstairs, and then ran it up.

 

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I hooked it up to the modem, and then plugged in my router for wi-fi. It took a call to the cable company for them to change a setting on the modem, but everything was go!

 

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I have direct internet in my studio now!

Finally, with everything set up, I’m feeling great. I got back to my commissions in full this week, and finished a drawing. More on that later.

 

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Finished!

I am really looking forward to increased art production, now that everything is set up: to serve my clients with commissions, my students with art tutorials and courses, and my collectors with new fine art.

Thank you for your encouragement along this journey!

All the best,

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Share Your Thoughts!

If you have any comments or questions about what I wrote, please leave me your feedback below! I will personally get back to you. Can you help me spread the word? Please share this post with your family and friends by using the social media links on the side or below. Thank you!
New Painting in Progress: “Come as Children”

New Painting in Progress: “Come as Children”

Here is a new painting in progress–a 16 x 20 acrylic on canvas. This will be a book cover for a compilation of Charles Spurgeon’s devotionals for children, called “Come Ye Children.” Based off this photo I took of my two children when we were hiking in northern Wisconsin.

Reference Photo

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In Progress Painting

I start off very faint, just blocking in the colors with glazes. I mix about 90% clear acrylic medium to about 10% paint and just block in the composition, suggesting where the future colors will go. Here is my palette…

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Normally, I use burnt sienna, but to challenge myself and also to enhance the color harmony within the painting, I omitted it.

 

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Video Demonstration

 

The first layers consisted of raw sienna, yellow ochre, phthalo blue and indian yellow for the background, and then for the posts: raw umber dark, ultramarine blue and napthol crimson. I blocked in the blue jeans with phthalo blue, and my daughter’s pants with napthol crimson.

I’ll be posting more on this and show you the process of how the painting develops.

Have a blessed day,

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Share Your Thoughts!

If you have any comments or questions about what I wrote, please leave me your feedback below! I will personally get back to you. Can you help me spread the word? Please share this post with your family and friends by using the social media links on the side or below. Thank you!

 

The Things We Artists Do for Art

The Things We Artists Do for Art

 

It’s amazing the things you have to do sometimes to get a painting to look realistic.

 

I’ve been commissioned to do a painting of the five loaves and two fishes for a book cover illustration, a commentary on the book of Mark in the New Testament. I didn’t want to copy a stock photo (illegal) but I didn’t want to just make it up (not very realistic)

 

So I bought some fish, some flatbread and a basket. Took the pics just as the sun was setting. Then I cooked the fish tonight and ate it with the bread. Best fish I’ve had in a long time! 🙂

 

Here are a few pics that I took…

 

"Loaves and Fishes Basket" photo  2017 by Matt Philleo

“Loaves and Fishes Basket” photo 2017 by Matt Philleo

 

"Loaves and Fishes Basket" photo  2017 by Matt Philleo

“Loaves and Fishes Basket” 2 photo 2017 by Matt Philleo

 

Even though this is not my usual subject matter–portraits–it’s good to do a still life once in a while to keep up with your color, shape, and value rendering skills. Many of you have seen this painting on Facebook already, but I wanted to get this posted to my blog. 

 

 

Have a blessed weekend!

Matt

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