by Matt Philleo | Oct 30, 2015 | Uncategorized
Today, I said goodbye to a familiar face: a drawing I’ve had in my collection for 22 years. It is one of my favorites, but it was time to let it go. A customer who met me at the Falling Leaves Art Studio Tour this year bought a print of this drawing, and later through email, said she loves the image and would like to buy the original.
This is a drawing I did back in 1993, when 15, so it is very special to me. I discovered that black colored pencil could achieve a really rich black, almost like ink. In addition, although nearly impossible to erase, it doesn’t smudge like normal graphite pencils. When I showed it to my art teacher, she loved it, and later on referred to it as the drawing of “that wonderful old woman” The name stuck.
My source photo was of an elderly woman, an immigrant from the depression era. I chose not draw a background behind her, leaving the white of the paper to draw even more attention to her face.
You can imagine the stories she’d tell if you waited a while to listen. Her careworn face, etched with deep wrinkles, is almost like a roadmap that guides you in learning more about the difficult journeys of her life. And yet, behind that melancholy stare there is a glimmer of hope, a firm resolve to not give up and to make it through.
I met today with the customer to hand this drawing over to her. And I’m glad. The joy of this drawing blessing somebody else makes it easy for me to let it go, and I’m glad she will be proudly displaying it in her home.
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by Matt Philleo | Oct 21, 2015 | Tips for Art Appreciators, Tips for Artists, Tips for Collectors
I always smile a bit to myself when I have my artwork at a show, and a child reaches out to touch one of my paintings.
“No! Don’t touch that!” the parent scolds.
I don’t want to minimize the parent’s admonition, but I try to reassure them that the painting isn’t as delicate as they assume.
In Western culture, from our experiences encountering centuries-old masterpieces in museums, we are conditioned to give artwork its distance, and treat it as an ancient archeological relic.
Granted, I do try to show my artwork respect–because it is valuable–and not allow the surface to get scuffed or otherwise abused, but I know the medium I use, and it’s very resilient. So on the one side, I want clients that purchase my original paintings to treat it with care (and almost everyone instinctively does) but I also want them to feel comfortable knowing the painting can live in a house where people cook, children play, pets shed, and life happens.
Ever since the Renaissance, oil paint was the standard medium for painting. It allowed for a long working time, brilliant color saturation and blending, but because it could get brittle over time, oil paintings had to be handled with great care.
Then, in the 1930’s acrylic paint was invented and became available to artists in the 1950’s. Acrylics are great because of their versatility. High quality acrylics such as Liquitex, Windsor & Newton, and the kind I use–NovaColor– are extremely flexible, non-yellowing, water resistant, and highly resistant to scratches once dry. Although I have tried oils, acrylic is my medium of choice.
Since I have painted in acrylics for over 20 years, I’ll speak from my experience with them. Here are some guidelines in displaying and caring for your acrylic painting.
1. You do not need glass to protect your painting.
I have seen some people put glass over their paintings when framing them. This isn’t necessary to protect it. I use a high quality 100% acrylic resin varnish on my paintings to protect them from scratches, sunlight, dust, and other minor debris. The varnish also enhances the depth of the colors and provides a smooth, even sheen that is easy to clean.
Glass actually inhibits the viewing of the painting, by adding glare and reflections. However, I do recommend glass to cover prints, because the paper in prints is so susceptible to warping from humidity changes, and cannot be easily cleaned once it gets dirty. But for paintings, the traditional–and best–look is always to frame the canvas without glass.
2. Hang your painting in a place where there is adequate light–but not too much light.
Paintings look best in light. Soft lighting from lamps looks great on a painting that has warmer, earth tone hues. Daylight tends to accent a painting with cool tones. Try to keep your painting from direct sunlight–even though acrylic paint stands up very well to UV rays, eventually over the years, the sun will win the battle if you don’t take the precaution. So minimize that as much as possible.
3. How to clean your acrylic painting.
Over time, dirt, dust, oils, and other particles will settle on the surface of your painting. If the painting has either extremely dark or light hues, it will become especially noticeable, and will lessen the visual contrast of the overall image.
To clean the surface, all you need to do is grab a soft cotton towel or cloth, dampen it with water and wipe the dust off in circular motions. If the dust is excessive, you may want to use a feather duster first. Grease can be cleaned with household vinegar and rinsed with water.
Never use ammonia, bleach, alcohol, turpentine, or any solvents to clean an acrylic painting. That will be a recipe for disaster!
Have you ever seen “Bean,” the movie with Rowan Atkinson?
You may remember how, as an incompetent museum guard, he was asked to give a speech on the famous painting “Whistler’s Mother.” While he was alone with painting, studying it, he tried to blow dust off the surface. Then, the dust made him sneeze. Of course, he sneezed all over the painting. Uh oh! So he grabbed a handkerchief from his pocket and delicately cleaned the moisture off the canvas.
He smiled, sighing a breath of relief.
But he neglected to notice that his hankie was covered with ink from a leaky pen, and so was the face of Whistler’s mother! Now he really freaked out! He took the painting to the janitor’s closet and wiped off the ink with paint thinner.
Thankfully, the ink came off…but so did the face! All that was left was the raw canvas beneath–Mr. Bean was in trouble now!
So, let Mr. Bean be a lesson to you: no solvents for paintings!
4. What if the painting gets damaged?
Damage to an acrylic painting rarely occurs, but I have seen it happen. In fact, it has happened to me.
I once was delivering a painting to an art show, and I apparently didn’t have it packaged well enough–and something punctured and gouged the front of the painting, leaving a deep scratch almost 4 inches long and 1/8″ wide! I didn’t have much time before the deadline to drop of the painting, but I was able to get some paint from my studio, and quickly match, fill and varnish the scratched area. To this day, you can hardly tell there was a scratch, unless I were to point it out to you.
Now, if you bought an acrylic painting from me, for example, and it were to get damaged, I would be more than happy to restore it, for a very reasonable fee. Depending on the damage and where it is on the painting, it is something I can usually fix in a few hours or less.
How to easily get a dent out of a stretched canvas
If your canvas gets dented, here is simple repair you can do yourself…
Simply boil about a cup of water in your microwave, grab a small household painter’s brush, and apply the hot water to the back (raw side) of the canvas approximately where the dent is and then paint an “X” across the back with the water.
You know how they tell you to never wash your cotton clothes in hot water because they’ll shrink? Well, in this case, that’s exactly what we want.
The hot water will cause the canvas to contract and with it, the dents will be pulled out. While wet, the canvas will be tight as a drum. After it dries, it will loosen a bit, but the dent will still be gone.
So again, should you decide to purchase an acrylic painting some time down the road, or you already own one, be confident that your investment is a wise one. Acrylic paintings are extremely archival–meaning, they are meant to last for a lifetime and more. With reasonable care, your original painting will be sure to become a treasured family heirloom!
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by Matt Philleo | Oct 5, 2015 | Art Shows
This is a very short post just to say thank you to all who came out to visit me at the Falling Leaves Art Studio Tour! For those who were not able to come, thank you for your encouraging words and support of my art career.
From the beautiful weather to the great turnout, to the excellent hospitality of the hosting studio and artist, Ron La Blanc, I had a great time at the tour. I sold several prints and made contacts for future art commissions. But the best part of all was the in-depth spiritual conversations I had with folks over a cup of hot cider while viewing my artwork.
Next year , I plan on having a greater selection of prints available as well as originals. To do that, I will need to set more clearly defined goals that keep me on track all year long, complete with a production schedule of artwork. Custom art commissions are always incredibly welcome, and I thank God for them since they provide a more guaranteed income enabling me to continue to produce art, but they can leave me with less time than I’d like to create my own ideas–typically, narrative art with an inspirational, encouraging message.
Artist Matt Philleo’s prints at the Falling Leaves Art Studio Tour, Augusta, WI
But that means I just need to use my time more efficiently so that I can fit both originals and commissioned work into my schedule. One of the resources that is great for keeping a guy on track, regardless of their profession, is blogger and author Michael Hyatt’s Ideal Week. In it, he shows how to block your time out on a weekly basis for maximum effectiveness. I’ve got mine all filled out, and now it’s just a matter of implementation!
Well, the autumn colors are steadily growing in brilliance. Get out and enjoy God’s creation and discover new sources of inspiration!
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